Stephen Di Benedetto
Di Benedetto comes to MSU from the University of Miami where he was an Associate Professor of Theatre History. Additionally, he is a Performance and Design Series Editor for Bloomsbury.
During his time with the University of Miami over the past 15 years, Di Benedetto has served as a Director of Undergraduate Studies, Associate Chair, and Chair and Executive Director of the Jerry Herman Ring Theatre.
His current research and publications explore scenographic design in various cultural contexts and examine the ways in which the five senses are harnessed by artists in performance from a phenomenological perspective. He also is interested in the ways that performance can inform other disciplines.
His books include The Provocation of the Senses in Contemporary Theatre (Routledge, 2010) and An Introduction to Theatre Design (Routledge, 2012). He also co-edited Designer’s Shakespeare (Routledge, 2016) and is currently co-editing The Cambridge Companion to American Theatre since 1945, which is expected to be published in 2021.
Prior to joining the University of Miami in 2005, Di Benedetto was an Assistant Professor of Theatre at the University of Houston. He served for one year as a Visiting Assistant Lecturer in Modern Drama at University College Dublin, National University of Ireland, and he also was a Lecturer in English at DePaul University.
He is an active member of the American Society for Theatre Research, the International Federation for Theatre Research, and Performance Studies International. Among his other professional affiliations, he is the former Treasurer of the Association of the Study of Arts in the Present. He also was an Associate Editor of ASAP/ Journal (Johns Hopkins University Press), Book Review Editor (North America) for Theatre Research International, an Associate Editor of Scene (Intellect), a convener of the Scenography Working group of the International Federation for Theatre Research, an artist board member of DiverseWorks Art House in Houston, a theatre critic for Houston Free Press and Irish Theatre Magazine, and he worked as a dramaturg at such places as Infernal Bridegroom Productions and the Connecticut Repertory Theatre.
Di Benedetto received his Doctor of Philosophy in Theatre from Goldsmiths College, University of London, in 2000. He has an M.A. in Theatre and Drama from the University of Michigan, and a B.F.A. in Theatre History and Criticism from The Theatre School, DePaul University.